STORY BY AKINTUNDE BABATUNDE
PHOTOS BY TUNDE ALABI-HUNDEYIN II
Preceding its grand opening in June, menswear brand David Wej was in the news across Nigeria and the United Kingdom in February this year for agreeing to a deal to open its debut UK standalone store in central London, despite the current uncertainty hitting retailers.
TEXT BY JANE POTTHAST
When I see a Rothko painting, the feeling is akin to that moment between waking and sleep when one is delayed—happily—in an absence of category. A purity of breath and stillness without effort. A cessation of being. But to be transported to these realms by his art, I must see the original painting in person. Otherwise the image has no effect.
And this is the enduring strength of Rothko in the age of the smartphone.
TEXT AND PHOTOS BY DAWN MAJORS, BILL STEBER, JOON POWELL, AND JOHN PARTIPILO
Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented in 2021 at the Scarritt Bennett Center and at Vanderbilt University, both in Nashville. In the months leading up to the exhibit we’re featuring their work in an ongoing Anthrow Circus series, a project that is as much a study of photographic styles as a record of the pandemic.
BY KAMI L. RICE
If you follow us on social media (if not, find us on Facebook and Instagram!), you should already know we’ve spent the past week celebrating our one-year anniversary of publishing as Anthrow Circus!
We’re awfully proud of all we’ve accomplished during this hard year. While travel has been curtailed around the world, our amazing writers and photographers have brought so many corners of our grand globe to a screen near us: from Togo to Georgia (the country), from Nigeria to Mexico, from Australia to Jordan, from the United States to France, to name just a few.
We’re building something solid under our big tent!
TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER
Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented in 2021 at the Scarritt Bennett Center and at Vanderbilt University, both in Nashville. In the months leading up to the exhibit we’re featuring their work in an ongoing Anthrow Circus series, a project that is as much a study of photographic styles as a record of the pandemic.
TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER
Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented in 2021 at the Scarritt Bennett Center and at Vanderbilt University, both in Nashville. In the months leading up to the exhibit we’re featuring their work in an ongoing Anthrow Circus series, a project that is as much a study of photographic styles as a record of the pandemic.
ARABIC ARTICLE, ENGLISH TRANSLATION, & PHOTOS BY BATOOL AL-DULIGAN
The embroidery style in Jordan, called al-roqma, differs from that of Palestine. The stitches resemble the numbers seven and eight in the Arabic language. Most thobes in Jordan were black, and the embroidery colors were the only difference between them. For instance, people in northern governorates traditionally preferred blue, red, yellow, and white embroidery together in the same dress. Additionally, some regions in Jordan, such as the southern governorates, use beads in their embroidery instead of thread.
ARABIC ARTICLE, ENGLISH TRANSLATION, & PHOTOS BY BATOOL AL-DULIGAN
These regional costumes are distinctive and unique because of the varied raw materials used, the shape of their embroidery, and their particular fabric and thread colors. As a result, every region in Palestine has its unique thobe and embroidery that describe its citizens and their identities.
ARABIC ARTICLE, ENGLISH TRANSLATION, & PHOTOS BY BATOOL AL-DULIGAN
Traditional clothing in the Arab world is tied to traditions, heritage, and identity. Every Arab country has costumes that make it unique and distinct from other countries. Traditional embroidery patterns, for example, distinguish one nation’s clothing from another, acting like regional stamps or signatures.
WORDS BY JANE POTTHAST
PHOTOS BY MANUELA THAMES
This happens when I have been alone too long—the words start to leak out of everything and they will not stop. I cannot look around, I cannot take a single step, without it becoming prose, and it is not welcome. It thrusts me into a place where language imposes this acute separation between me and everything else—leaks its ink out of the bark, the pavement, the sky, flowing directly from itself to me in the form of a stream of words, and it will not let me rest.
