The roots of my Dinovember experience probably date back to a conversation a few years ago with a friend about dinosaurs. This turned into a running joke about anything T. rex related. A couple weeks ago she said to me, “You should do Dinovember this year with Paul.”
TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER
Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented next year at Vanderbilt University and the Scarritt Bennett Center in Nashville. In the months leading up to the exhibit we’ll feature their work in an ongoing Anthrow Circus series.
October’s civic action in Nigeria calls for an end to a Nigerian form of police brutality targeting young people. While our recent View From a Pandemic story about protests during the pandemic highlighted the way protests against police violence transcend national boundaries, this story zooms in for a closer look at details that make global stories unique at the local level. Our contributor in Nigeria helps us understand the specifics of the call for change, as they stood on October 14, and why, no matter how similar the images may appear, each call for local action is its own chapter within humanity’s global story.
I can’t tell you how many times Megan and I have nearly tripped over a tombstone during this pandemic.
As our corgi Bentley barks to get off-leash and run through the historic Union Cemetery, it’s easy to nearly twist an ankle on a broken headstone that I could have sworn wasn’t there, even though I’ve walked this spot what seems like hundreds of times.
PHOTOS AND TEXT BY/PHOTOGRAPHIES ET TEXTE PAR ADODO JOHNSON
FRENCH PROOFREADING BY/RELECTURE FRANÇAISE PAR CAROLINE BERNARD-GILBERT
ENGLISH TRANSLATION BY/TRADUCTION ANGLAISE PAR KAMI L. RICE
While the horns of two taxis blare, further noise rattles the Lomé intersection of Sagbado. “Olé yia, Olé yia?” (“Do you need a ride?”) cry out the drivers of motorcycle-taxis as they rush toward the car taxis that have just stopped in front of the Sanol gas station. The motorcycle drivers hope to attract the attention of passengers exiting the larger taxis and gain another fare by taking them to the passengers’ final destination. The scene is nothing new. It takes place over and over again all day long, from the rising to the setting of the sun. However, for the past few months, since the beginning of the COVID-19 crisis and especially since the government decreed a curfew and state of emergency, a new group of venders has joined the motorcycle-taxis at this intersection.
PHOTOS AND TEXT BY TUNDE ALABI-HUNDEYIN II, CÉSAR ARREDONDO, AND SYLVIA ASARE
In this “year of the pandemic,” every big news story of 2020 takes place against the backdrop of the pandemic, a reality that affects these events in ways sometimes obvious and sometimes not yet clear. Protests in the United States over police violence dominated world news cycles this summer. But like the pandemic, the protests didn’t stop at national borders. In this article, we bring you observations in word and image from correspondents of differing nationalities who witnessed protests in Brighton, England, and in Los Angeles and Paris. Their reports remind us that protests over police violence have been a worldwide story taking place in the midst of a pandemic, an event that—as our View From a Pandemic series shows—has tied humanity together in a common struggle. Together we are humans combatting a microscopic virus as well as jointly fighting the universal disease of prejudice against people who are different from us.
TEXT AND IMAGES BY KIDS AND THEIR RESPECTIVE PARENTS
Kids, too, have been affected by the coronavirus pandemic, so we’re happy to add their voices to our View From a Pandemic series. Meet four American kids, all 10 or 11 years old, who have experienced various forms of lockdown from perches all around the world. In June and July they took the time to write about it for us.
AUDIO AND VIDEO PRODUCTION BY MAHBOOB FAIZI INTERVIEW BY KAMI L. RICE, ANTHROW CIRCUS EDITOR-IN-CHIEF
Mahboob Faizi, a member of the Anthrow Circus family, reached out to me in April looking to fashion a story about his concern over how people back home in Afghanistan would be able to weather the health and economic effects of the coronavirus pandemic. From his current home in Greece, he was feeling rather powerless to know how to help them. Over the months that followed, I interviewed him and helped shape the account we present here. Mahboob, who works in media production for a nonprofit organization, recorded our audio, supplied images, and did the production work.