STORY BY ELEANOR MARTINDALE
It’s hard to state just how catastrophic 2020 was for the performing arts, and it’s hard to imagine the shape of the post-pandemic world. Nobody knows when theatres will reopen, or under what conditions; nobody knows when rehearsals will be able to take place or when audiences will be able to gather. In short, nobody knows what, or when, the new normal will be.
TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER
Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented next year at Vanderbilt University and the Scarritt Bennett Center in Nashville. In the months leading up to the exhibit we’ll feature their work in an ongoing Anthrow Circus series.
TEXT AND PHOTOS BY LEEN LARTIGUE
The roots of my Dinovember experience probably date back to a conversation a few years ago with a friend about dinosaurs. This turned into a running joke about anything T. rex related. A couple weeks ago she said to me, “You should do Dinovember this year with Paul.”
MUSIC AND TEXT COMPOSED BY NOELLE HEBER
In 2013, I attended an intense, all-day, week-long training in Paris. The upper-floor classrooms hovered over the train tracks of the Gare de l’Est, and while we were too distant to hear the hustle and bustle of the train station traffic, one sound rang through the open windows in regular intervals: SNCF’s four-tone jingle that introduces train announcements to passengers. This audio sound serves as a friendly alarm, always followed by “Mesdames, Messieurs …” (“Ladies and Gentlemen …”) and useful train-travel information, such as on which track a train is arriving or an alert to a dreaded delay.
TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER
Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented next year at Vanderbilt University and the Scarritt Bennett Center in Nashville. In the months leading up to the exhibit we’ll feature their work in an ongoing Anthrow Circus series.
TEXT AND IMAGES BY JC JOHNSON
Prior to the coronavirus pandemic’s disruption, the world had seen a surge in international travel and tourism, forcing many museums and other popular tourist destinations to take crowd control measures.
For example, the Louvre renovated the Mona Lisa’s exhibition space last year and improved traffic flow to better handle the painting’s many, many visitors, who largely view the painting through a sea of cell phones and cameras, let’s be honest.
ARTICLE BY HEATHER M. SURLS
PHOTOS BY SARAH RACINE
Over the last decade Sarah Racine has worked internationally as a trauma-informed art-maker, helping a spectrum of individuals—from victims of human trafficking to refugees—find healing from trauma, abuse, and war. Though Racine calls Lancaster, Pennsylvania, “home” in the U.S., she recently relocated to Amman, Jordan, to study Arabic and explore options for working long-term in the region. Racine sat with Anthrow Circus’s Jordan correspondent, Heather Surls, to talk about her profession and how the arts can bring healing and hope to adults and children affected by trauma.
TEXT BY LORE CALDWELL
PHOTOGRAPHS BY ELLA MANN & RHIANNA MANN
MAKEUP ARTIST & MODEL – ELLA MANN
I was one of the ones who tried to run away and join the circus. It’s true. I got on the train to New York City with my army green backpack, which held some clothes, to be sure, but more importantly, it held my sketchbook and drawing pens. My dad ran onto the train as it pulled out of the station and thwarted my efforts. He calmly sat down next to me, and we rode the train into the city together. By the time we arrived, in his gentle way, he had helped me see that this was not the best plan.
PHOTOGRAPHIES ET TEXTE PAR FRANCK ETCHEVERRY
PHOTOS AND TEXT BY FRANCK ETCHEVERRY
TRADUCTION ANGLAISE PAR KAMI L. RICE
ENGLISH TRANSLATION BY KAMI L. RICE
Depuis tout petit le Cirque a été le premier lieu où j’ai pu observer et approcher des animaux issus de la faune sauvage. Fasciné par leur beauté, j’ai commencé à leur vouer une véritable passion et c’est en grande partie grâce à ces premiers contacts que j’ai décidé d’en faire mon métier et de me mettre au service de la faune sauvage et de sa protection (Technicien supérieur en Gestion et Protection de la Nature, spécialisé dans la gestion de la Faune Sauvage).
As a little boy, it was at the circus that I was first able to see and get near to animals that came from the wild. I was fascinated by their beauty. They became a true passion and it’s largely thanks to these early contacts with circus animals that I decided to center my career around wildlife and put myself at the service of these animals and their protection, earning a diploma in environmental management and protection, specializing in wildlife management.
TEXT BY IRENA DRAGAŠ JANSEN
PHOTOGRAPHS BY MANUELA THAMES
As I observe the global pandemic unfold from the comforts and safety of my Washington, D.C., metro area home, I am transported back to the basement shelters where my parents, sister, relatives, neighbors, and I hid from the daily deadly mortar attacks during the most recent war in Croatia.
