Design processes, especially in the built environment, tend to progress on very similar trajectories: a client with an idea engages a designer to turn that abstract idea into a concrete product (sometimes literally concrete). Many problems with this approach come to mind, but the one I would like to focus on is the notion of genius and where good ideas come from.
When a wedding photographer becomes an elopement photographer, blending in becomes impossible. Read how Laura Rockett took on the role of chronicler and tour guide for one couple’s big day in New Orleans and peak inside their luscious wedding album.
When Jennifer Trafton started thinking about her next children’s novel, she began picturing a young Don Quixote who saw the world a little differently from everyone else. And like Don Quixote, this character—an eight-year-old boy named Henry—would have a quest to fulfill: to share his vision and his artistic gifts for the benefit of the wider community.
Since meeting her seven years ago, I’ve admired painter Amanda Acker’s ability to tell a story through a single image, as well as her sensitive use of color, which has the effect of teaching me how to see the vibrancy in my own surroundings.
In recent decades, as churches have fallen into disrepair, their previously significant impact on community development has waned. While they certainly still serve as both social and spiritual centers, they do not dominate the landscape as they once did. The grid of city streets has reduced their hierarchical impact, and often, the Central Business District supports many buildings of much greater scale. Even the megachurches, with their thousands of members and sprawling complexes and campuses, are often sited away from urban centers, isolated on large swaths of land in suburbia.
A conversation with Weléla Mar Kindred is a dance of kindness, openness, fierce intellect, and subtle movement. It was an honor for me to spend an hour getting to know such a rare soul. Weléla was born in Southern California but identifies strongly as a member of the Muskogee (Creek) Nation as well as of the Federal Republic of Nigeria.
Despite my inexperience, what I made is beautiful to me, in part because it accomplished something I’ve strived for in my poems for a while: radical simplicity, quiet, and room for the reader to think about a single image or idea at a time. I also enjoyed engaging with the visual elements of these spare essences of language, seeing them as art objects as much as I see them as poems.