I’ll be honest: It was Norway I’d begun dreaming of. My imagination was taken captive by images of fjords and pines, of iron and snow and bears, of iced sea light and a refreshing, starry cold. I was certain this was the next place beauty would greet me.
In 2013, I attended an intense, all-day, week-long training in Paris. The upper-floor classrooms hovered over the train tracks of the Gare de l’Est, and while we were too distant to hear the hustle and bustle of the train station traffic, one sound rang through the open windows in regular intervals: SNCF’s four-tone jingle that introduces train announcements to passengers. This audio sound serves as a friendly alarm, always followed by “Mesdames, Messieurs …” (“Ladies and Gentlemen …”) and useful train-travel information, such as on which track a train is arriving or an alert to a dreaded delay.
Prior to the coronavirus pandemic’s disruption, the world had seen a surge in international travel and tourism, forcing many museums and other popular tourist destinations to take crowd control measures.
For example, the Louvre renovated the Mona Lisa’s exhibition space last year and improved traffic flow to better handle the painting’s many, many visitors, who largely view the painting through a sea of cell phones and cameras, let’s be honest.
Donna Ford lets us come with her to revisit a poignant season in her life that continues to resound nearly two decades later. We’re happy that through the photography of Sarah Conner, who is currently in the Guatemalan community that was so formative for Donna, we’re given extra glimpses into the scenes of this place.
La caminata de Megan Finck y Mike Plunkett a una finca de café en Colombia nos sumerge en la historia de las alianzas que han ayudado a una comunidad a transformar su pasado sórdido en un presente floreciente que marca un futuro lleno de esperanza.
Megan Finck and Mike Plunkett’s hike to a Colombian coffee farm plunges us into a story of the partnerships that have helped a community transform its sordid past into a flourishing present that marks out a hopeful future.
The traditional ideal of community structure was rooted in individuals’ formation of living groups derived from families and built through doing apprenticeships, seeking education, and returning to or remaining near the area where one was raised (generally within a 20-mile radius). In contemporary modernized society this ideal has become a relic as individuals no longer feel the need to remain near their place of birth. In addition, every year immigration and social change lead influxes of people to move to or within North America. Armon A. Means delves into resulting questions of individual and societal identity through his latest road trip photographic project.
Physician assistant Scott Will recently spent a month providing medical care to Rohingya people from Myanmar living in a large refugee camp outside Cox’s Bazar, Bangladesh. This week we bring you Part 2 of his camp journal. Check out Part 1 here!
Physician assistant Scott Will recently spent a month providing medical care to Rohingya people from Myanmar living in a large refugee camp outside Cox’s Bazar, Bangladesh. This journal-style article from him offers a behind-the-scenes view of aid worker life as well as offering a small introduction to the Rohingya people. He previously wrote for Culture Keeper about the family he gained while living in South Sudan for five years.
What do you think of when you imagine life in one of the world’s largest, pulsing cities? What markers of light and distinctiveness would you find there? Our contributor Amber Kidner describes what she’s come to love about her home du jour in Delhi, India. You’ll find her other From India with Love and Fire posts here.