STORY AND PHOTOS BY KAMI RICE
It had rained all morning. Poured. Despite this, I arrived to a large crowd at the Mémorial de Montormel just as the first plane, trailing black smoke, puttered dramatically overhead. The clouds were low, but the airshow went on. Five post-war planes took turns swooping and banking in the open air, sometimes in formation, sometimes alone, sometimes teasing us into thinking the show was over before reappearing to make another pass in front of hundreds of upturned faces.
Standing in that umbrellaed crowd on the bluff above the pastoral Dives Valley, with the D-Day Ladies playing swing tunes on a stage behind us and cows dotting the fields below us, I felt transported. Located around 35 miles inland from the historic Normandy beaches breached by the Allies on June 6, 1944, this rural farmland around Mont-Ormel was the final pocket of the Normandy region to be liberated from the Germans in late August 1944. The music and planes, the reenactors and exhibits were assembled to commemorate the last violent gasps of WWII in this part of France.
The 80th anniversary of Allied forces’ D-Day heroism was remembered in June with speeches by heads of state, major coverage by U.S. and international media, and the attendance of now-elderly D-Day veterans. In contrast, most of us who aren’t WWII buffs have never heard about the heroic acts that liberated this inland area’s fields and villages in August 1944, for the international media went home once this year’s June anniversary fanfare ended, as though D-Day marked the war’s end. But it didn’t. The war in Normandy raged on for nearly three more months, and the war in Europe didn’t end until 1945. Locally, WWII commemorations have appropriately continued all summer.
Road signs label the area around this Mont-Ormel commemoration the Corridor of Death—so-named because 12,000 Germans died in the Falaise-Chambois Pocket as they tried to retreat toward Paris before the Allies could encircle them. The corpses of 10,000 German horses added to the rot. Reportedly, the stench was so strong, some bomber pilots could smell it as they flew overhead.
Map provided by Wiki Commons.
Some people donned WWII-era outfits to dance along to the D-Day Ladies band in Mont-Ormel.
As the airshow in Mont-Ormel wrapped up, blue skies arrived, but the commemoration site remained slick from mud after a day of rain, giving a taste of the muddy conditions WWII soldiers would have sometimes experienced in battle.
I’ve spent the summer traipsing around Normandy, where I live, paying extra attention to memorials and placards in honor of this big anniversary year. I’ve attended special events, visited museums, and participated in local WWII-focused activities like a bike ride through the Orne River estuary and a walking tour of the town of Falaise. In the lead-up to June’s events, I helped organize a Normandy media junket for the Paris-based Anglo-American Press Association. During the week of D-Day commemorations, I worked as a fixer for a U.S. broadcast media team while they interviewed U.S. veterans and covered the June 6 ceremony at the Normandy American Cemetery.
Through it all, a kaleidoscope-style image of disparate angles and points of view took shape. With each new twist of the kaleidoscope—a conversation here, a bunker visit there—the image changed again, an image more alive and 3D than history tomes could ever supply.
This shifting image has splayed out on a fairly blank canvas. I moved to southern France 12 years ago, and from the moment of my arrival, I encountered a relationship with war history that never existed for me in America. France takes commemoration and history seriously. As it should. These WWII events happened here, while America “just” sent men and weapons. In America, if you don’t come from a military family, war can be largely ignored. Here in France, it can’t.
But this fact is even more viscerally true in northern France’s Normandy—where the physical scars of war are still present 80 years later. Three years ago I moved my belongings north to a city with less old-world charm than the ones I had lived in near the Mediterranean Sea and the Pyrenees Mountains. Much of thousand-year-old Caen was reduced to rubble by the Allies’ bombs. War history here is hyperlocal in a way it isn’t even in southern France, where I once became the voice for the recorded English audio tour of Camp des Milles, an internment camp in Aix-en-Provence from which Jews were deported to other camps before eventually arriving at Auschwitz.
This summer I learned to ask people in Normandy their family stories. Further evidence of the hyperlocal presence of war here is the fact that every family that has lived in this region for more than a couple generations has accounts of how their family experienced WWII.
Monique, a woman in her 60s watching that late-August airshow with me in Mont-Ormel, told me her father had been a member of the French Resistance, the underground groups whose efforts against the occupying Nazis included sabotage, collecting intelligence, and helping Jews and downed Allied soldiers escape France. Since his parents were dead and he wasn’t married, he had nothing to lose in joining his uncle in dangerous resistance activities. Monique said that after the war was over, people like her dad who claimed to have been part of the resistance had to join the new French military in order to prove the veracity of their claim that they had been helping the Allies before the war had a winner. Monique’s father was a mason, and his work in reconstructing France eventually brought him to Normandy where he met her mother.
The parents of Monique’s husband, François, are in their 90s and still living. His father grew up on a farm, and overall, wartime was not as bad for his family as it was for those living in France’s Nazi-occupied cities enduring food rations. François said those living on farms at least weren’t starving during the war. Some farms, like his dad’s, welcomed refugees who had to flee towns targeted for bombardment.
The Memorial de Caen museum was built atop an underground German command post that played a crucial role in the early weeks of the Battle Normandy. From this protected location, German Gen. Wilhelm Richter oversaw fighting from the Orne River in the east to Omaha Beach in the west.
Built in a former stone quarry, the bunker contained a radio transmission center and was equipped with a ventilation system, generator, and water cistern. It was staffed by a team of secretaries, telephonists, cartographers, and officers.
A couple days after Mont-Ormel’s commemoration event, I again drove south of Caen back into this pocket that was the Nazi’s last stand in Normandy. To finish bookending the early-summer D-Day events with the Battle of Normandy’s late-summer tributes, I went to the town of Falaise, which was best known before WWII as the birthplace of William the Conqueror.
Now the town features a museum chronicling the civilian war experience. WWII is the first conflict in modern warfare with the gruesome statistic of more civilian than combatant deaths: 35 million civilians—an estimated 20,000 of those in Normandy alone—compared to 30 million combatants.
The tour guide explained that while the Allies dropped leaflets warning the people of Falaise to flee ahead of the coming bombardment, Falaise’s residents didn’t think the wind-blown leaflets were intended for them. Their town had no major industry and only a relatively small contingent of occupying German forces. Residents didn’t know that the Allies’ strategy for cutting off German escape routes included blocking roads running through Falaise. In the end, too few of Falaise’s residents departed for the countryside, resulting in a heavy death toll alongside the destruction of 80 percent of the town’s structures.
Marine-Noelle, whose family has resided in Falaise for generations, had joined in on the tour. She said her father, who passed away in June, recounted the horrors he saw when his dad took his 17-year-old self into that Corridor of Death to look for horses that might have survived the carnage. It was harvest season, and they needed a horse. Her dad described how everything was black, all the dead bodies covered with flies. When I slightly jokingly asked if they managed to find a horse, Marine-Noelle smiled with me over the dark humor of the question. Alas, this detail escaped the family record, so she doesn’t know.
But Marine-Noelle does know about the electrician’s exclamations when her parents had electrical work done in their attic in more recent times. The man was surprised to find extra wires and cables snaking through this space under the roof. They were souvenirs from the Canadian troops who used the home as a headquarters, necessitating running excessive communication lines to it.
As our small group followed the tour guide around Falaise under a cheerfully sunny sky, Claire, who now lives in Caen, said her father is 92 and doesn’t talk about his war experiences much, so she does not have so many stories to share. She and Marine-Noelle noted that their parents’ generation—teenagers during the war—tend to fall into two extremes: those who speak very openly about what they witnessed and those who say nothing.
Exhibits inside the restored Saint Gervais Saint Protais Church in Falaise show the destruction the church suffered under WWII bombs.
By the time I was in Falaise listening to these anecdotes, a question had formed itself among the shapes inside my WWII kaleidoscope: To whom does this story of Normandy’s liberation belong?
In June I had stood on the edge of Omaha Beach while our TV crew’s anchorman interviewed a U.S. veteran in the early morning light. Cameramen and sound and lighting crewmembers encircled them on the sand. An older French woman accompanied by a young boy paused to observe from the road above, the grandstands for the next day’s international ceremony rising behind her.
She told me she lives in a nearby home that has been in her family for generations. Her parents, like her friends’ parents, didn’t speak about the war until the last 10-12 years of their lives. Her family story includes a grandpa in another Norman town who housed war refugees in the stables of his bakery.
By then I knew the U.S. news producers wouldn’t be interested in her story, though my blank canvas quickly found space for it. Heading into 2024, I had anticipated easily finding publications eager for freelance reporting that would provide humanizing local contextual layers to round out their upcoming coverage of June’s grand international events.
But I was wrong. Media outlets weren’t so interested in contributions from a Normandy-based, English- and French-speaking reporter. Most depended instead on Paris- or Brussels-based correspondents, and U.S. media primarily wanted stories with American protagonists.
Later, as the TV interview wrapped up, a quartet of Norwegian men in their thirties passed by. They too had family war stories to tell. One of their grandpas had been part of the Norwegian resistance that transported people and weapons in small fishing boats between occupied Norway and Scotland’s Shetland Islands.
Both the Norwegians and the woman with her grandson asked me for details about the rules for security the next day, given all the visiting dignitaries. Up to that point, I was only aware of the vehicle passes required in order to drive on certain restricted roads between Caen and the beaches and military cemeteries. Beyond that, I was of no help to them.
Later, though, I gained information that gave sense to their questions: For security reasons, residents of Saint-Laurent-sur-Mer were confined to their homes while the internationally-televised tribute took place in those grandstands in their town. The Norwegians needed to leave their campground before they were locked in—they had a wedding to get back for. The French grandma was wondering whether her grandkids were allowed to play outside in her yard or if they had to remain indoors.
One of the drivers who transported our TV crew works as a guide for WWII sites. She loves the history of our region, and it supplies her livelihood. So she found it frustrating that people like her who live and breathe these stories, and like the locals living down the street, weren’t allowed into the commemorative ceremonies, while all these outsiders, important though they may be, were.
Her perspective contributed to the questions the rest of my summer explorations fleshed out: Again, to whom does this expansive story belong? To the civilians who lived it and in whose families the history lives on? To the veterans returning to the spot where comrades fell? To local dignitaries and volunteers tasked with keeping memories alive in their communities? To today’s international leaders who mark the occasions with solemn, inspiring words? To an American transplant to France who moved to Normandy three short years ago yet feels like she now has a stake in this story too?
Kami Rice with Command Sergeant Major Henry C. Armstrong, who returned to Omaha Beach for the first time in June 2024 since he landed here 80 years ago as a 19-year-old soldier.
A TV news crew wraps up an interview on Omaha Beach on June 5, 2024, with the sculpture Les Braves in the middle distance and the cliffs scaled by U.S. Army Rangers visible further away.
Towns around Normandy don’t forget their liberators. Even if you don’t stop to read any memorial markers, you can learn which forces liberated which sectors simply by noting the flags mounted along the thoroughfares. In Mont-Ormel, a less well-known flag whipped in the breezes that welcomed me to that late-August tribute. Its design is simple: the top half is white; the bottom half is red—the colors of Poland.
Polish forces were critical to defeating the Nazis from this hilltop as the Germans fought to retreat with their horses and tanks. The base of a statue honoring the formidable Gen. Stanisław Maczek was covered in the traditional French floral wreaths laid during memorial services for the fallen. Among them, the gold print on one of the ribbons caught my eye; this bouquet of red and white roses was from Gen. Maczek’s granddaughter. A bus in the parking lot waited to be refilled with Polish girl scouts and boy scouts who made the trek to Normandy for these commemorations.
Discovering this homage to the Poles, I felt the way I did earlier in the summer when I learned that French commandos were among the Allied forces that came ashore on D-Day. How did I not know any of this before?
How? Because it’s a very big story. But also because the pieces of the story I acquired in America mostly only recounted the parts that involved Americans. The story is so much bigger than that, I now know.
Yet even after a summer of picking up new books from the gift shop at Caen’s WWII museum, absorbing local news coverage, speaking with officials, collecting accounts from locals, meeting veterans, and listening with all my might, I’ve still only scratched the surface.
To whom does this story belong? It belongs to all of us, doesn’t it? For the French, transmitting this history to younger generations—hence, those young Polish scouts—has been an official theme of the 80th anniversary of D-Day, this last big anniversary while sizable numbers of veterans and other eyewitnesses are still living. The story is our responsibility now. They’ve passed it on. How will we care for and steward all its angles and layers?
As for me, the shifting images inside my kaleidoscope will be replaying for a while yet, informing other stories and events I experience, even ones unrelated to war, making them richer for the effusion of shapes and color gained during this summer of traipsing around Normandy.
Polish Gen. Stanisław Maczek and his unit of over 16,000 soldiers and 380 armored fighting vehicles landed in Normandy from Great Britain in late July 1944. They played a decisive role in closing off the Nazi escape route through the Falaise-Chambois Pocket during the fighting of August 19-22, 1944.
Kami Rice, Anthrow Circus’s editor, plies her insatiable curiosity from a base in northern France and from perches in coffeehouses, cafés, and friends' homes the world over. As a freelance journalist, she has reported for the Washington Post, The Telegraph, The Tennessean, The Bulwark, and Christianity Today, among many others. Her more creative work has appeared in Another Chicago Magazine, The High Calling,and Washington Institute's Missio.Her French to English translation has been published by Éditions Beaux-Arts de Paris. She also edits manuscripts and articles for a variety of clients and loves learning about the lives of regular, real people wherever she finds herself.