Kami Rice, Anthrow Circus’s editor, plies her insatiable curiosity from a base in northern France and from perches in coffeehouses, cafés, and friends' homes the world over. As a freelance journalist, she has reported for the Washington Post, The Telegraph, TheTennessean, Nashville Arts Magazine, and Christianity Today, among many others. Her more creative work has appeared in Another Chicago Magazine, The High Calling, and Washington Institute's Missio. Her French to English translation has been published by Éditions Beaux-Arts de Paris. She also edits manuscripts and articles for a variety of clients and loves learning about the lives of regular, real people wherever she finds herself.
“C’est lui?” exclaimed a dark-haired boy of roughly nine years old from the market stall sidelines as a commotion passed in front of him. Fuzzy microphones on long handheld booms and news cameras poked above the crowd as it tightened to fit the narrowing space between vendors of vegetables and antiques and records and roast chicken.
The man beside him smiled toward the boy as he affirmed that it was indeed the new French prime minister, Gabriel Attal, come to the Sunday market in Caen after President Emmanuel Macron appointed him last Tuesday to replace Elisabeth Borne as head of the French government. In the scant days since his appointment, Attal has been busy selecting ministers to form his government and taking his first trips outside the capital as he begins his new role of determining and implementing the nation’s policies. Scant too is Attal’s age—the 34-year-old is France’s youngest ever prime minister.
One fall night last year, we created a project for ourselves. The American students were studying abroad in Paris, and I was a mentor in their program. Two artists and three writers, we assigned ourselves homework. We’d spend an evening all together at one of Ernest Hemingway’s famous haunts. The writers had to choose someone, or someones, from among the clientele as their inspiration for a short story. The artists’ drawings would be similarly inspired by someone who was there that night. We’d package the works together and discover what we’d jointly created
I hadn’t even stepped inside yet but had already declared Barcelona’s Sagrada Família my new favorite place in the world.
From the stony stations of the cross built into the façade on one side, to the splashes of color in just the right places all over the exterior, to dripping, stony incarnations of gingerbread house icing, to engraved names here and there of characters in the Bible stories the building tells—it was all magnificent. It was a storybook come to life.
I spent a May afternoon rushing through the wide halls of the U.S. Senate office buildings. It wasn’t the first time I was on Capitol Hill this past spring, but this time I chanced being late for an important flight because the clock was ticking on this issue that kept me coming back to the Hill. The next morning, I learned that day’s meetings had seemingly been for naught.
Hours after Russia’s invasion of Ukraine began on February 24, Douglas Webber, emeritus professor of political science and a Europe specialist at the prestigious business school INSEAD, framed the conflict starkly.
“It’s really a decisive turning point we’re looking at here, and for me certainly I think that it’s the most dangerous moment in international politics if not since the end of World War II, at least since the Cuban Missile Crisis in 1962,” said Webber to an online meeting of the Anglo-American Press Association of Paris.
On the occasion of Martin Luther King Jr. Day, a U.S. federal holiday, we recorded a short conversation between Armon Means and Kami Rice, Anthrow Circus’s Manager of Operations & Social Media and its Editor-in-Chief, respectively. We take you behind the scenes as our team wrestles with how Anthrow Circus should acknowledge this day and its ethos, ultimately deciding that letting you into this conversation was the best way we could honor what the day embodies.
ARTICLE ET PHOTOGRAPHIES PAR AJ JOHNSON TRADUCTION ANGLAISE PAR KAMI L. RICE
Au Togo, la campagne de vaccination contre la Covid-19 a commencé le 11 mars 2021, grâce à l’initiative Covax, qui a délivré un premier lot de 156.000 doses du vaccin AstraZeneca. Covax est une initiative de l’Organisation mondiale de la Santé (OMS) qui, parmi ses plusieurs objectifs, assure un accès équitable aux produits de diagnostic, de traitements et de vaccins contre la Covid-19.
Les doses reçues étant en nombre limité, le gouvernement togolais a mis en place un plan de vaccination en plusieurs phases. Ce plan préconise l’administration des premières doses du vaccin au personnel du corps médical, ensuite aux personnes âgées de 50 ans et plus, puis aux personnes plus jeunes souffrant d’une maladie chronique, et enfin au reste de la population de plus de 20 ans. Un site web officiel a ainsi été mis en place pour gérer la campagne de vaccination.
STORY AND PHOTOS BY AJ JOHNSON
ENGLISH TRANSLATION BY KAMI L. RICE
In Togo, thanks to the Covax Initiative, the COVID-19 vaccination campaign began on March 11, 2021, following the receipt of a first batch of 156,000 doses of AstraZeneca vaccine. Covax is a World Health Organization initiative that among its several objectives, ensures equitable access to diagnostic products, treatments, and vaccines against COVID-19.
Since a limited number of doses were received, the Togolese government implemented a multi-phase vaccination plan. This plan calls for the first doses to be administered to medical personnel, then to people aged 50 and older, next to people under 50 suffering from a chronic disease, and finally to anyone 20 years old and up. An official website was set up to manage the vaccination campaign
If you follow us on social media (if not, find us on Facebook and Instagram!), you should already know we’ve spent the past week celebrating our one-year anniversary of publishing as Anthrow Circus!
We’re awfully proud of all we’ve accomplished during this hard year. While travel has been curtailed around the world, our amazing writers and photographers have brought so many corners of our grand globe to a screen near us: from Togo to Georgia (the country), from Nigeria to Mexico, from Australia to Jordan, from the United States to France, to name just a few.
We’re building something solid under our big tent!
Take up residence in France and you’ll find that everyday life is infused with history. If you’re a curious person, you can’t help but absorb facts it would take years of history classes and careful concentration to learn back in the United States. Here you see and touch history, observing how its effects are felt even long after its scenes’ original actors have departed.