I turn the corner and am jolted by fluid splashes of color, original blues, greens, and oranges, not their recreated versions. Then I hear myself sigh, easing from the city into this quiet space.
When Monet designed the Water Lilies galleries in Le Musée de l’Orangerie, he specified that they should be experienced in silence. Viewers should whisper, step softly. It’s a space set apart—a cathedral built in reverence for the absence of sound.
PHOTOS AND TEXT BY TUNDE ALABI-HUNDEYIN II, CÉSAR ARREDONDO, AND SYLVIA ASARE
In this “year of the pandemic,” every big news story of 2020 takes place against the backdrop of the pandemic, a reality that affects these events in ways sometimes obvious and sometimes not yet clear. Protests in the United States over police violence dominated world news cycles this summer. But like the pandemic, the protests didn’t stop at national borders. In this article, we bring you observations in word and image from correspondents of differing nationalities who witnessed protests in Brighton, England, and in Los Angeles and Paris. Their reports remind us that protests over police violence have been a worldwide story taking place in the midst of a pandemic, an event that—as our View From a Pandemic series shows—has tied humanity together in a common struggle. Together we are humans combatting a microscopic virus as well as jointly fighting the universal disease of prejudice against people who are different from us.
A conversation with Weléla Mar Kindred is a dance of kindness, openness, fierce intellect, and subtle movement. It was an honor for me to spend an hour getting to know such a rare soul. Weléla was born in Southern California but identifies strongly as a member of the Muskogee (Creek) Nation as well as of the Federal Republic of Nigeria.