WORDS AND PHOTOGRAPHY BY JC JOHNSON
I’m a city person. I love the pace, the noise, the endless barrage of things to look at. I love to study the skyline, the museums, the lights at night, the people. Typically, I’m not too fond of the countryside. But there’s something about Scotland, especially the Scottish Highlands..
DOCUMENTARY & PHOTO BY W.H.
INTRODUCTORY TEXT BY HEATHER M. SURLS
“The flower that blooms in adversity is the most rare and beautiful of all.” This quote from Disney’s animated film “Mulan” aptly describes Maryam, Khadija, and Fatima Kawsary, teenage Afghan sisters living outside of their home country and still cultivating their passion for art.
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STORY BY HEATHER M. SURLS
ARTWORK BY HAIFA ABU KHDAIR
In Jordan’s Baqa’a camp for Palestinian refugees, I sat with several women and piles of their cross-stitch embroidery. A fan blew the late May heat through a simple but neat room, where we sat on brown couches drinking small goblets of juice, followed by Turkish coffee and tea. Zahieh Ahmad Saeed Abu Rases and her relatives showed me embellished pillowcases, a mirror framed in a kaleidoscope of colors and patterns, clocks stitched on white Aida cloth, and sections of unfinished thobes, traditional Palestinian dresses.
STORY AND PHOTOS BY DAN GLEASON
Northwest Africa’s Mauritania often struck me as a true fly-over state, when I flew over it on my way home from greener parts of the continent. Despite my interest in people and places, from the cockpit of the private aviation planes I pilot, nothing I could see down below in Mauritania attracted me. Rather, looking below, I was all the more glad for sufficient fuel on board to continue to Western Sahara or Morocco or maybe even the Canary Islands. Every time I crossed it, the country tidily became an uncompelling memory as soon as I exited Mauritanian airspace.
But that all changed after it became one of my destinations.
STORY AND PHOTOS BY KAMI L. RICE
I spent a May afternoon rushing through the wide halls of the U.S. Senate office buildings. It wasn’t the first time I was on Capitol Hill this past spring, but this time I chanced being late for an important flight because the clock was ticking on this issue that kept me coming back to the Hill. The next morning, I learned that day’s meetings had seemingly been for naught.
MIXED-MEDIA VIDEO BY “TILL WE HAVE FACES
INTRODUCTORY TEXT BY HEATHER M. SURLS
Setara, a 17-year-old from Mazar-i-Sharif, Afghanistan, remembers falling asleep at her grandmother’s house as a girl. Grandma Gul, or Grandma Flower, would sit beside her with a cup of chai and rock-sugar candies and tell her stories. One of these was the story of Yalda, a traditional Afghan tale about a village girl who meets a feared “witch” on the longest night of the year.
A BOOK EXCERPT BY SARAH DAWN PETRIN
An excerpt from “Me Too: A Global Crisis,” chapter 6 of Sarah Dawn Petrin’s book BRING RAIN: Helping Humanity in Crisis
As an international relief worker whose career spans 20 years and 20 countries, I’ve worked to address many problems caused by war, disaster, and disease. But the one that has confounded me the most is sexual violence, which affects one in three women globally.
In order to end the cycle of violence against women, it’s important to understand why sexual violence is taking place.
STORY BY HEATHER M. SURLS
PHOTOS BY HAWA IMAGES, USED BY PERMISSION OF WORLD RELIEF CHICAGOLAND
Years ago, a neighbor gave me a glossy 4×6-inch picture of Myanmar politician Aung San Suu Kyi backed by the red and yellow of the National League for Democracy’s flag. I no longer remember the giver’s identity—at that time my Burmese neighbors numbered in the hundreds—but since the country’s late-January military coup that imprisoned Suu Kyi and others, Myanmar (formerly Burma) has been on my mind.
When I reflect now, those three years among the Burmese were like bootcamp for me, a foundational, immersive course in relating to people different from me. At that time, I didn’t realize this would be a preparatory phase for longer-term work among refugees. I moved in with the idea that I would help them—I did not know how much my neighbors would shape me.
ARTICLE BY HEATHER M. SURLS
PHOTOS BY SARAH RACINE
Over the last decade Sarah Racine has worked internationally as a trauma-informed art-maker, helping a spectrum of individuals—from victims of human trafficking to refugees—find healing from trauma, abuse, and war. Though Racine calls Lancaster, Pennsylvania, “home” in the U.S., she recently relocated to Amman, Jordan, to study Arabic and explore options for working long-term in the region. Racine sat with Anthrow Circus’s Jordan correspondent, Heather Surls, to talk about her profession and how the arts can bring healing and hope to adults and children affected by trauma.
STORY BY HEATHER M. SURLS
ILLUSTRATIONS BY RAHAF ADNAN OUDAH
From afar, the plight of refugees can be hard to understand. Why did they leave their homeland in the first place? What is daily life like in the place in which they’ve tried to find safety? Will they return home one day? Our correspondent in Jordan takes us deep into the lives of two Syrian families who fled to neighboring Jordan and now long to return home as most of Syria regains a level of calm. Learn why the question of whether to return to Syria has no straightforward answer.
