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View From a Pandemic: Observed in Nashville, No. 5

TEXT AND PHOTOS BY DAWN MAJORS, BILL STEBER, JOON POWELL, AND JOHN PARTIPILO

Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented in 2021 at the Scarritt Bennett Center and at Vanderbilt University, both in Nashville. In the months leading up to the exhibit we’re featuring their work in an ongoing Anthrow Circus series, a project that is as much a study of photographic styles as a record of the pandemic.

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WORDS AND PHOTO BY JC JOHNSON

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One winter day, I was walking my dog when my neighbor invited me to sled with her and her friends. “Don’t worry, we are all over 30 and from the neighborhood, so take a turn. I’ll hold your dog’s leash while you go.” I was so excited to have a snow day and to finally have some pandemic-era human interaction, along with the chance to live my inner child.

View From a Pandemic: Observed in Nashville, No. 4

TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER

Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented in 2021 at the Scarritt Bennett Center and at Vanderbilt University, both in Nashville. In the months leading up to the exhibit we’re featuring their work in an ongoing Anthrow Circus series, a project that is as much a study of photographic styles as a record of the pandemic.

View From a Pandemic: Missing People Whose Names I Don’t Know

STORY BY JOANNA MARSH

Throughout the past year, I have wondered how “that woman” is doing. I don’t know her name, but I can see her face clearly in my mind: the brown eyes under thick eyebrows, the sharp nose, her black hair pulled back in a French braid.

I saw her regularly at the Washington, D.C., area gym where I worked out. She was chatty with the other women in the ladies’ locker room, often dominating the conversation. She cornered me once and asked whether I would take her into my house as a renter. She would be a good roommate, she said. Unobtrusive and tidy and responsible. Politely, I replied that I would let her know if I heard of anyone looking for roommates. She also worked in the childcare room at the gym, but my 6-year-old son didn’t like her and refused to come to the gym with me if she was going to be there. Was she mean? I asked. No, he replied, she just completely ignores us.Read More »

MicroView: What the Pain Protects

STORY BY PETE SHERRY

In June 2019, at the age of 43, I was diagnosed with Stage 3 colon cancer. I underwent colon resection surgery and eight months of chemotherapy, and was then declared “cancer free” in the early spring of 2020.

View From a Pandemic: Observed in Nashville, No. 3

TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER

Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented in 2021 at the Scarritt Bennett Center and at Vanderbilt University, both in Nashville. In the months leading up to the exhibit we’re featuring their work in an ongoing Anthrow Circus series, a project that is as much a study of photographic styles as a record of the pandemic.

Main Street in Flux: The Changing Face of Snohomish

STORY BY RICHARD PORTER
PHOTOS BY JAKE CAMPBELL

There’s a place in the popular American imagination called Main Street—a Norman Rockwell scene where the butcher, baker, and barber all hang out their signs and sweep their stoops, where emerald baseball fields are immaculately groomed, and where the town gathers on a Friday night to cheer the high school football team to victory. If this vision of the idyllic Main Street America is flawed, it’s because it’s based on a nostalgic vision of the past that rings dissonant when compared to the reality that many Americans face today, especially amidst a global pandemic: a shrinking economy, a housing crisis, outdated infrastructure, and political division.

View From a Pandemic: Observed in Nashville, No. 2

TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER

Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented next year at Vanderbilt University and the Scarritt Bennett Center in Nashville. In the months leading up to the exhibit we’ll feature their work in an ongoing Anthrow Circus series.

View From a Pandemic: Observed in Nashville, No. 1

TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER

Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented next year at Vanderbilt University and the Scarritt Bennett Center in Nashville. In the months leading up to the exhibit we’ll feature their work in an ongoing Anthrow Circus series.