TEXT BY IRENA DRAGAŠ JANSEN
PHOTOGRAPHS BY MANUELA THAMES
As I observe the global pandemic unfold from the comforts and safety of my Washington, D.C., metro area home, I am transported back to the basement shelters where my parents, sister, relatives, neighbors, and I hid from the daily deadly mortar attacks during the most recent war in Croatia.
TEXT BY LAURA CHAVARRIA, EXECUTIVE DIRECTOR, NASHVILLE HUMANE ASSOCIATION
Animal sheltering can be difficult, y’all.
But it’s also one of the most fulfilling careers on the face of the planet. Who wouldn’t want to play with puppies and kitties all day and be the voice for the voiceless? (True confessions: Cuddling the animals is just one little part of our jobs at Nashville Humane Association!)
When a wedding photographer becomes an elopement photographer, blending in becomes impossible. Read how Laura Rockett took on the role of chronicler and tour guide for one couple’s big day in New Orleans and peak inside their luscious wedding album.
My first photo class, my professor taught me that a good black and white photograph has a pure black, a pure white, and every grey in between—a mantra I now repeat to my students. Just like with a cause that rallies people to the streets, a photograph is exposed with different variations of light in order to become a successful image. A good photo needs contrast. Without contrast, the image is flat, boring, and unmemorable. But too much contrast sacrifices image quality with loss of details and information.