Page 12 – Anthrow Circus

View From a Pandemic: Observed in Nashville, No. 3

TEXT AND PHOTOS BY JOON POWELL, JOHN PARTIPILLO, DAWN MAJORS, AND BILL STEBER

Illustrating their divergent perspectives and practices, four photographers from Nashville, Tennessee, USA, each with a solid foundation in newspapers, have prepared a pandemic-era exhibit that is slated to be presented in 2021 at the Scarritt Bennett Center and at Vanderbilt University, both in Nashville. In the months leading up to the exhibit we’re featuring their work in an ongoing Anthrow Circus series, a project that is as much a study of photographic styles as a record of the pandemic.

Jordanian Costumes: The Embroidered History of Palestinian and Jordanian Thobes, Part 3

ARABIC ARTICLE, ENGLISH TRANSLATION, & PHOTOS BY BATOOL AL-DULIGAN

The embroidery style in Jordan, called al-roqma, differs from that of Palestine. The stitches resemble the numbers seven and eight in the Arabic language. Most thobes in Jordan were black, and the embroidery colors were the only difference between them. For instance, people in northern governorates traditionally preferred blue, red, yellow, and white embroidery together in the same dress. Additionally, some regions in Jordan, such as the southern governorates, use beads in their embroidery instead of thread.

Palestinian Costumes: The Embroidered History of Palestinian and Jordanian Thobes, Part 2

ARABIC ARTICLE, ENGLISH TRANSLATION, & PHOTOS BY BATOOL AL-DULIGAN

These regional costumes are distinctive and unique because of the varied raw materials used, the shape of their embroidery, and their particular fabric and thread colors. As a result, every region in Palestine has its unique thobe and embroidery that describe its citizens and their identities.

The Embroidered History of Palestinian and Jordanian Thobes, Part 1

ARABIC ARTICLE, ENGLISH TRANSLATION, & PHOTOS BY BATOOL AL-DULIGAN

Traditional clothing in the Arab world is tied to traditions, heritage, and identity. Every Arab country has costumes that make it unique and distinct from other countries. Traditional embroidery patterns, for example, distinguish one nation’s clothing from another, acting like regional stamps or signatures.

View From a Pandemic: Marking Time as the Bird Flies

TEXT AND IMAGES BY ELEANOR MARTINDALE

Today, I saw some storks. Three, to be exact, flying over the Western Mediterranean marshlands where I live, heading to their breeding grounds further north. Late January and a presage of spring already, accompanying the mimosa trees that have suddenly burst into flower as though a child has taken a pot of the brightest yellow paint she could find and splashed drops all over a wintery canvas. It was just as the spring migration was beginning last year that France entered its first lockdown.

MicroView From a Pandemic: Hungary

ENGLISH AND HUNGARIAN TEXT BY ZSOFIA GERLEI
PHOTOS BY ARMON MEANS

Just like most parts of the world, Hungary registered its first COVID-19 cases in March. Nine months ago, as I write this in December, which should feel like a long time but honestly it doesn’t. Maybe because looking back at it, it hasn’t brought much of a change for me.

Walking Just Might Help You Meet Your Goals

INTERVIEW BY MIRTHE SMEETS
TRANSLATED TO ENGLISH BY SOPHIE VAN DEN AKKER

With winter’s arrival it has gotten colder, wetter, grayer, and gloomier outside. And yet, it is still wise to go outside—whether you’re a job seeker thinking that you should instead be sending out another application letter today or if you just have little energy. Walking coach Tini van de Wetering from Shofukan Coaching is convinced that everyone benefits from a daily walk.

View From a Pandemic: A Journal Entry, Quarantine Day 12

WORDS BY JANE POTTHAST
PHOTOS BY MANUELA THAMES

This happens when I have been alone too long—the words start to leak out of everything and they will not stop. I cannot look around, I cannot take a single step, without it becoming prose, and it is not welcome. It thrusts me into a place where language imposes this acute separation between me and everything else—leaks its ink out of the bark, the pavement, the sky, flowing directly from itself to me in the form of a stream of words, and it will not let me rest.

Listen as Myanmar Speaks

INTERVIEW BY KAMI L. RICE
AUDIO AND VIDEO PRODUCTION BY MAHBOOB F.

Our source, we’ll call her Sandra, is a friendly, hospitable, thoughtful Myanmarese professional living abroad. Sandra enjoys staying well-informed regarding world news and events and stays closely connected with her home country of Myanmar. Rather than recreate major media outlets’ coverage of the coup by Myanmar’s military, we are giving this story the Anthrow Circus treatment: sharing the voice of a regular citizen who can give us context for the large-scale geopolitical reports.

Main Street in Flux: The Changing Face of Snohomish

STORY BY RICHARD PORTER
PHOTOS BY JAKE CAMPBELL

There’s a place in the popular American imagination called Main Street—a Norman Rockwell scene where the butcher, baker, and barber all hang out their signs and sweep their stoops, where emerald baseball fields are immaculately groomed, and where the town gathers on a Friday night to cheer the high school football team to victory. If this vision of the idyllic Main Street America is flawed, it’s because it’s based on a nostalgic vision of the past that rings dissonant when compared to the reality that many Americans face today, especially amidst a global pandemic: a shrinking economy, a housing crisis, outdated infrastructure, and political division.