Prior to the coronavirus pandemic’s disruption, the world had seen a surge in international travel and tourism, forcing many museums and other popular tourist destinations to take crowd control measures.
For example, the Louvre renovated the Mona Lisa’s exhibition space last year and improved traffic flow to better handle the painting’s many, many visitors, who largely view the painting through a sea of cell phones and cameras, let’s be honest.
TEXT BY IRENA DRAGAŠ JANSEN
PHOTOGRAPHS BY MANUELA THAMES
As I observe the global pandemic unfold from the comforts and safety of my Washington, D.C., metro area home, I am transported back to the basement shelters where my parents, sister, relatives, neighbors, and I hid from the daily deadly mortar attacks during the most recent war in Croatia.
I felt overwhelmed by how much there was to see, and I didn’t know how to structure my visit. I wanted to see everything, and simultaneously, I longed to take my time with the artworks. Then, as I was meandering through the Greek and Roman statuary, all of a sudden I came to a halt…
“A museum is doing its job when this relationship between object and visitor is reciprocal: The visitor attentively observes the object and perhaps learns information about it, and she then applies her own experiences and “cultural baggage” to give the object meaning…”