Page 6 – Anthrow Circus

Beirut’s Memories Are Written on Its Walls

WORDS & IMAGES BY CALLIE RADKE STEVENS

The thing everyone kept saying at the school in Beirut was that people there feel like a family. And while in other circumstances that might carry a whiff of hyperbole, at this school in the Lebanese capital, I believed it. The students and teachers had already been through a lot together—war and civil war, economic chaos, the devastating Beirut port blast in 2020. They knew how to hold each other up.

In this family, I was an awkward dinner guest: welcomed warmly, but from the outside.

The Lion and Me

FICTION BY JANE POTTHAST

This short fictional work was originally written for a course on ekphrasis. Ekphrasis is a Greek term for a literary description of a work of art. Whether in poetry, fiction, or criticism, vividly describing a particular painting or statue can serve as poignant subject matter for a writer or as a device to emphasize the writer’s own themes. In the following text, I utilize a historical, fictive voice to meditate on Yale Gallery’s Lion Relief from the Processional Way (562 B.C.). I imagine the relief from the perspective of someone who might have been present at the Babylonian Ishtar Gate, a wonder of the ancient world originally lined with fierce, gold lions.

MicroView: Running Around Bethlehem

STORY AND PHOTO BY JOY BORKHOLDER

“Freedom of movement” wasn’t really on my mind as I trained at home in Seattle to run my first 10K in Bethlehem, a shorter race within the Palestine Marathon.
This 10K wasn’t the real goal of my fourth visit to the region. Instead, I went to help a friend with a book project, see other friends, and visit some holy sites, with a bit of excellent falafel and a 10K on the side.
The marathon organizers hope to build a running culture in Palestine, foster cultural exchange among residents and visitors, and highlight the lack of freedom of movement Palestinians experience.

The Surprising Instrument of World Peace

STORY AND PHOTOS BY DAN GLEASON

“It’s a dangerous business—going out your door,” someone once said to me. But maybe that person didn’t have a ukulele like I do.

I named my uke “Strad” (diminutive of Stradivarius), thanks to a totally unscripted interaction in Vienna when I insisted upon its gentle handling while declaring that I had an appointment with the Vienna Philharmonic that evening. Strad has gotten me through doors in countries as diverse as Kenya, Tajikistan, the Republic of Georgia, and so many others.

Exploring Palestinian Identity in Jordan’s Baqa’a Refugee Camp

STORY BY HEATHER M. SURLS

ARTWORK BY HAIFA ABU KHDAIR

In Jordan’s Baqa’a camp for Palestinian refugees, I sat with several women and piles of their cross-stitch embroidery. A fan blew the late May heat through a simple but neat room, where we sat on brown couches drinking small goblets of juice, followed by Turkish coffee and tea. Zahieh Ahmad Saeed Abu Rases and her relatives showed me embellished pillowcases, a mirror framed in a kaleidoscope of colors and patterns, clocks stitched on white Aida cloth, and sections of unfinished thobes, traditional Palestinian dresses.

Trainracing

POEM BY JAKE GZ

Meeting Azerbaijan’s New Ambassador to France

STORY BY BILL DIEM

A byproduct of Russia’s invasion of Ukraine and media focus on the war’s developments is that growing tensions between other former Soviet republics wanting their place in the world are largely obscured. The rumblings that have serious local effects aren’t reaching the world’s eyes and ears while the louder conflict drowns out these smaller ones.
Thirty-one years after claiming its independence, Azerbaijan is trying to move through a slippery world of history and judgments and war with its neighbor Armenia to become recognized as a neutral, non-aligned country, a friend of both NATO and Russia.

Channeling Hemingway One Autumn Night

CREATIVE PROJECT CURATED BY KAMI L. RICE

One fall night last year, we created a project for ourselves. The American students were studying abroad in Paris, and I was a mentor in their program. Two artists and three writers, we assigned ourselves homework. We’d spend an evening all together at one of Ernest Hemingway’s famous haunts. The writers had to choose someone, or someones, from among the clientele as their inspiration for a short story. The artists’ drawings would be similarly inspired by someone who was there that night. We’d package the works together and discover what we’d jointly created
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Sonatina: A Poem in Three Parts

POEM & PHOTOS BY EJ BOWMAN

Afghanistan, Land of Invincible Women Resolute in the Face of Tragedy

PUBLISHED IN DARI AND PASHTO

ARTICLE BY W.H.

If you’re a woman born and raised in Afghanistan, you live in war against nearly everything in life. Too often, even from your very first breath outside the womb, you are not really welcomed by your own family—or if you’re blessed with good parents, society and certain people’s mindsets work to steal the smile from your face.