This week we’re joining the ranks of media outlets offering longer-read stories, because sometimes we all need a break from the sound-bite version of the world. So lean back, kick off your shoes, and tuck into this reminder of the less flashy ways the world’s countries interact with each other. No need to wait to be appointed as an ambassador, for you already are one.
Our View From Here series is back as Nihab Rahman takes us inside a little moment of Bangladeshi life.
Near Chowfol-Dondi Bridge in Khuruskhul, Cox’s Bazar, Bangladesh, Ziyaul Haque, 21 years old, repairs his five-year-old boat for its next destination, which is Sundarbans, the only mangrove forest in Bangladesh.
STORY BY HÉLÈNE SCHWITZER-BORGIALLO ENGLISH TRANSLATION BY KAMI L. RICE
French academic Hélène Schwitzer-Borgiallo reports for us this week on innovative projects undertaken by a duo of English playwrights who are bringing together groups of people who don’t normally get to meet each other.
Mettre sa créativité au service de la rencontre des cultures : voilà l’objectif du duo de dramaturges anglais dont nous parle cette semaine Hélène Schwitzer-Borgiallo, enseignante à l’Université Paris 8.
What do you think of when you imagine life in one of the world’s largest, pulsing cities? What markers of light and distinctiveness would you find there? Our contributor Amber Kidner describes what she’s come to love about her home du jour in Delhi, India. You’ll find her other From India with Love and Fire posts here.
When traveling, Culture Keeper contributor Donna Ford discovers plenty of inspiration for her home’s interior. Here, she shares with us some of the style ideas she picked up as souvenirs in Morocco that are years later still showing up in her home design. From the decor of a luxury hotel to the energy of the medina, inspiration abounded during this North African getaway with her husband.
MADE: A series of conversations with artists about how they navigate impasses and discover breakthroughs in their work.
To reach Karen Dolmanisth’s studio, I must first navigate a series of stairs, metal doors, and maze-like corridors in an old mill building in Florence, Massachusetts. Then follows a tunnel of books, artwork, costumes, and other ephemera gathered and carefully placed over the twenty years she has worked in this space.